
To err is human, to forgive divine. At least that’s what Alexander Pope tells us, along with other useful things during his day job like “That will be £3.99 please.”
In some ways, it would be better to forgive what Will Smith did in his new film, Hancock, which you may be familiar with after the premiere information for the film showcasing on this very site not too long ago.
However, as much as I want to, as much as the idea of the anti-superhero is something which should be celebrated, given all the superhero cliché films we’ve over the years now, with the revival of marvel comics’ fortune via Spiderman, Fantastic four, the hulk and many many others, with far more to come of course, given the CEO of Marvel has gone of record wanting to milk the comic nipple for all it’s worth before leaving the milky dugs bone dry.
Hell, DC comics even realised that they were missing out on the gravy train and revived two of their well known characters back to the big screen after a prolonged absence, Batman, which to be fair, was a very good movie except for that district attorney who didn’t seem to act any different to being on Dawson’s creek, and Superman, of which the only saving grace, appeared to be Kevin Spacey with a bald head.
So with that in mind then, given this film is about a superman who drinks heavily and basically is an arsehole to everyone he meets, you expect great things to be presented. And for the opening 25 minutes when Hancock is causing so much damage to the city, it would be better for him not to turn up at all, it carries you through with ridiculous strides, keeping your eyes fixed on the screen, wondering how bad he could get.
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