It’s strange to revisit some of the Oscar bait from 2017 now. You see, there’s so many films that had passed me by during January and February, including La La Land, sorry, Moonlight (ha ha, joke which will already be dated!) and Fences. But this one was so special that I had to come back to remark on it. Toni Erdmann which was one of the “Best Foreign Language” nominees. It lost out to “The Salesman”, the Iranian entry of which got shown in London instead of Asghar Farhadi, the writer and director going to the US to attend the Oscars. You know, because of Trump’s first attempt at a not-a-Muslim-ban-honest-guv.
As it’s a European film, it’s going to be an acquired taste as some jokes are good and some situations you could only ever see in an European film. So basically strap in, and hope that you come out the other side intact.
We begin the film with Peter Simonischek as Winfried Conradi. He lives in a leafy part of Germany and has an old lady as a neighbour with a dog.
He was a music teacher with a warped sense of humour as you will see for yourself. There’s a birthday party for his daughter, Ines (Sandra Hüller) and things are rather awkward. You see, Winfried’s long suffering, unhappy / sexually weird daughter is busy trying to work her way up in a large company and pretty much as you imagine (or indeed experience every day in real life), she doesn’t really have a life. Continue reading →